Reeves Vintage Purple speaker with a Green Russian Big Muff - In Any Tongue solo, Reeves Vintage Purple speaker with a BKB 911 Tube Driver - Louder than Words solo, G12T-75 speakers with vent hole on back made by Celestion in England in the 1980s (left) and the version without the vent hole from the 1990s (middle and right). Many of these were PA speakers and none are the type Gilmour used. I have seen many examples of Fanes with those brand labels on the exact same cast metal frame as the Crescendo, but they were not Crescendos. Butler Tube Driver - Take A Breath solo, Fane Crescendo Type A speaker - clean tone with compressor - Coming Back to Life solo, Fane Crescendo Type A speaker - clean rhythm tone with compressor - Another Brick in the Wall Part II. Also according to his guitar tech Phil Taylor’s book “the Black Strat” about the guitar (a worthwhile buy for any guitar geek) the Strat was by the recording of “the Wall” equipped with a custom maple neck made by Charvel. Vintage 1970s units can be found on the secondary market, although many need a cap replacement job or other servicing. David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. If you like the clean tones for things like the intro to, For a more comprehensive guide to alternate Gilmourish sounding amps, check out the amp buyers guide on. He also uses Fender Twin Amps and Fender Bassman Amps.

Although the track was recorded in '92 it remained unreleased until the 2009 boxed set The Rod Stewart Sessions 1971-1998. David Gilmour's WEM 4x12 cabinet loaded with Fane Crescendo 100w speakers and Marshall JCM-800 Fender silverface Twin Reverb amp, and Dual Showman Reverb amp.

Fender says they are 30w, but they are actually the same 20w Legend 1028P blue frame Alnicos found in the original Bassman RIs. He also used the SA212 50w combo version with two 12' speakers.

Proco rat pedal serial number